Frank Turner is aware of the passage of time, of the influence of days that drag and months that gallop can exert on what he would probably never dream of calling his body of work. After all, it has been a number of years now since the hardcore troubadour transformed himself from The Boy Who Surely Could Not, to The Man That Did; it has been years now that his name has appeared in the largest type on ticket stubs that permit entry to such venues as Wembley Arena, or the Royal Albert Hall; just as it has been years since the sound of his voice projecting itself from a digital radio was anything like a surprise, let alone a novelty.
From the ferocious, sweaty box venues of rock band Million Dead to starting from scratch with an acoustic guitar in pubs and bedrooms in 2005, Frank’s popularity grew with his artistry. Selling out gradually bigger venues – Camden’s Barfly, King’s Cross Scala, Shepherd’s Bush Empire and Wembley Arena (both captured for posterity on DVD); four albums in England Keep My Bones ends up selling 100K copies and rising; performing in front of millions worldwide before the official opening ceremony of London 2012 Olympics; a personal milestone of winning Mastermind with his specialist subject of Iron Maiden. Each year seemed to bring a new elevation, a plateau which initially seemed out of reach but just became a foothold for ascending further.
Frank Turner is the author of six albums and has four rarities collections to his name alongside a number of EPs and singles. A Wessex Boy by inclination, these days his post is delivered to Holloway, North London. He intends to spend the next 18 months, and probably the rest of his life, on tour.
